‘Project Details/Video’
Who Wants To Be a Millionaire?
Syndication. Season #’s 2-7. 200 1/2 hr episodes per season.
Hosted by Meredith Vieira.
Super Millionaire
ABC, primetime. Series #’s 1-2. 20 1hr episodes.
Hosted by Regis Philbin
10th Anniversary Millionaire
ABC, primetime. Series #1. 10 1hr episodes.
Hosted by Regis Philbin
Video: Ogi O. became a “Millionaire” legend, not just because he won a half million dollars, but because he was a such a memorable contestant. As O’s Producer, I was able to give the audience a glimpse inside his brain and get a look at what makes him so fascinating. He appeared on two episodes and it was my job to keep him amped-up and ready to make history. You can read the HOST CARD that was used to brief Meredith by clicking here.
CBS, Primetime. Pilot & Series 1. 10 1hr episodes.
Hosted by Regis Philbin
Video: We collaborated for weeks with the network talent producers to book our best celebrites, and Tony Hawk was one of my favorites to work with. As with all the celebrities I was responsible for, I conducted informal interviews and did extensive research to find nuggets of information for Regis. Before each taping, I briefed Regis on what would work best when introducing and interviewing the celebrities on camera. Of course, Regis would try our suggestions, but usually end up going off on his own, with awesome results.
FUSE Music Network
Pilot and Series #1. 20 1/2 hr episodes.
Hosted by Jared Cotter and Crishell Stause
Video: I produced a few promos like this one for this short-lived dating show for FUSE TV. During production, my job was to come up with some of the most outrageous dating questions ever and make sure the contestants delivered the answers with their own wild touches. The contestants’ performances were definitely memorable. I stayed with the production all the way through post-production and final delivery, managing three editors for 20 episodes.
Hosted by Pat Keirnan
Video: For two seasons, I was a part of WSOPC from beginning to end, from development through delivery. In Season One I was part of a casting team that went cross-country promoting an unknown show and recruiting 17 teams of contestants. Season Two gave me the opportunity to develop new elements of the show, organize a two-day taping event at the Hammerstein Ballroom, and then coordinate post-production. I managed a team of five editors and defined the editing notes for the series. Music and graphics selections were cleared through me, along with casting voiceover actors and cataloging elements libraries. The promo below was produced as the series supertease.

